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Fire Forcefans were buzzing with excitement following the official announcement regarding the release of Season 3. The excitement turned into confusion when the news that it would be split into two cours got out. This information has sparked mixed reactions among the fan base.

Season 3 ofFire Forceis divided into two cours or two parts. The first part is scheduled to air in April 2025, followed by the second after a gap of eight months in January 2026. While the return of Shinra Kusakabe and Company 8 promises a lot of action and intense storytelling, the split and the gap between the release of the two parts has dampened the excitement of fans.
The split cour format has raised questions about its impact on the anime’s narrative flow and holding onto the audience’s interest. Let’s dive in and understand what is happening.

The Split That Rivals The Gap In Seasons
The anime industry has increasingly adopted these split cours as a production strategy, and there have been both positive and negative effects to this. Splitting a season into two parts, usually with a gap of several months, is intended to improve animation quality. It will also allow the studios and creators more time to perfect their work.
David Production, known for its stellar work onFire ForceandJoJo’s Bizarre Adventure, also knows the pros and cons of this format.Bleach: Thousand Year Blood Warhas seen immense success with the improvement of animation quality between course.

【Official Trailer】Fire Force Season 3Scheduled for April 2025 on Crunchyroll!To air in two split cours: April 2025~ / January 2026~(Animation Production: david production)✨More:https://t.co/OgcliOpcNqpic.twitter.com/TP9Jui3qYg
Nah why would yall do this for Jan 2026 ? We already had to wait a long time for season 3 . But im still happy we getting the new season next year

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However, this approach is one that can disrupt the momentum of shows. Especially since most anime are adaptations of manga and light novels, stories that rely heavily on cliffhangers, fast-paced arcs, and mysteries of the plot being uncovered will have adisadvantage in their engagementwith the fans.
The Split Debate Rages
Fans worry the extended gap between the two halves may dilute the emotional intensity of Shinra’s journey or worse, make them numb or forget.Fire Forceis a series that thrives on its high-stakes action, the bonds between members that change as a matter of episodes, and compelling character development.
Splitting the season means that it can potentially cut off critical story arcs mid-way, leaving fans in suspense for months. The other option is to end the cour on a well-rounded point, with all questions answered, but will the satisfied audience come back for more? This is a dilemma that the fans face.

The major question that they are facing is regarding the gap that is large enough to be one between seasons.
Why not just release the whole thing in 2026 cuz im getting sick of this split stuff
Nah at that point cour 2 is just another season with that gap
Just call it S 3&4. Hard to call it split cour when there’s such a gap.
WhileFire Forceundoubtedly standsamong the most popular anime titles, it lacks the significant legacy that would encourage every fan to return for the finale, particularly among casual viewers who might move on to other shows during the hiatus time. While the format works well for some anime with distinct arc separations, it may not suitFire Force’sinterconnected and written style of storytelling.
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Since its first season release in 2019,Fire Forceanime has been ahead of other titles of its time, offering viewerssplendid narrative and terrific action scenes. Many feel that labeling them as two separate seasons would make the format clearer, while others argue for a return to traditional 20-24-episode seasons, even if it means a later release.
Ultimately, the release ofFire ForceCour 1 is a matter of excitement and anticipation as we look forward to 2025.
You can streamFire Forceon Crunchyroll.
Chandra Shekhar
Anime Writer
Articles Published :856
Chandra Shekhar is an Anime Writer at FandomWire with over 800 published articles under his belt. A law student by training but a storyteller at heart, he blends his sharp analysis with a deep love for all things anime. From the old-school Yu Yu Hakusho to the eldritch horrors of Lord of the Mysteries, his knowledge spans decades and genres. When he’s not writing, he’s likely buried in webnovels, silently hoping his favorite ones get the anime adaptation they deserve.